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How 3D Printing Accelerates Production Timelines in Film and TV

  • thereyouhaveit3d
  • 12 hours ago
  • 21 min read

How 3D Printing is Changing the Game

How 3D Printing Accelerates Production Timelines in Film and TV is redefining what's possible for filmmakers under pressure. In an era where every second on set counts, 3D printing offers a faster, more flexible way to build intricate props, costumes, and set pieces. By streamlining the production pipeline, it eliminates delays, reduces costs, and helps creative teams deliver high-quality results on tighter timelines than ever before.


Speed and Efficiency

The most immediate impact of 3D printing is the dramatic compression of production timelines through optimized prototyping and high-fidelity asset creation. What once took weeks now takes days; what took days now takes hours. This acceleration occurs at every stage of the production pipeline:


  • Design iteration cycles: Changes that previously required starting from scratch can now be implemented overnight.


  • Approval processes: Directors can physically handle multiple design variations before committing.


  • On-set problem solving: Technical solutions can be visualized, optimized, and fabricated in hours rather than days.


  • Reshooting efficiency: Identical props can be quickly reproduced for continuity.


In high-budget productions like Avengers: Endgame, 3D printing has been used in the broader Marvel franchise to accelerate the creation of complex costume elements. While specific production data for Endgame remains limited, earlier Marvel films demonstrated how additive manufacturing can streamline prototyping and facilitate faster design iterations.


The intricate costume and prop work in Dune (2021) highlights the type of large-scale design challenges where 3D printing has proven beneficial in other productions. Though specific figures have not been disclosed, additive manufacturing is increasingly favored in sci-fi films for its potential to reduce lead times and support high-volume customization under tight schedules.


Precision and Detail

Beyond speed, 3D printing delivers unprecedented precision and consistency. Digital designs can be realized with sub-millimeter accuracy, allowing for:


  • Perfectly symmetrical costume elements


  • Intricate designs and surface textures beyond manual capability


  • Exact replicas for multiple units of the same prop


  • Precise mechanical connections and moving parts


For the intricate alien language symbols in Arrival, designers created complex logographic characters with mathematical precision using 3D printing. Each symbol maintained perfect proportional relationships that would have been nearly impossible to achieve by hand with the same consistency across multiple props.


The facial animation system for Kubo and the Two Strings required such precise mechanical connections that traditional fabrication methods couldn't achieve the necessary tolerance levels. 3D printing enabled thousands of interchangeable facial expressions with perfect alignment every time, creating seamless animation.


At There You Have It 3D, we use proprietary large-format SLA resin printers capable of producing parts up to 1,000mm x 1,000mm x 600mm in a single shot. Our ABS-like resin combines fine detail with durability—ideal for intricate costume elements, prop textures, and camera-ready finishes.

Creative Freedom

Perhaps most significantly, 3D printing removes many traditional constraints on design, allowing filmmakers to pursue their creative vision with fewer compromises:


  • Physically impossible geometries become printable


  • Previously prohibitive designs become affordable


  • Wildly diverse design variations become testable in reality


  • Highly personalized, actor-specific items become practical


For Guardians of the Galaxy Vol. 2, creature designer Neville Page created alien anatomies that deliberately defied conventional biological structures. 3D printing allowed the team to realize these imaginative designs without compromising the original creative vision to accommodate fabrication limitations.

There’s a creative confidence that comes from knowing we can actually fabricate what we’re designing. That confidence shows up in every project we undertake.” – Nathan Longest, Digital Designer

Why Filmmaking Needs Speed More Than Ever


A cinema camera on a wheeled dolly speeding along metal tracks in a blurred studio set, with an analog timer overlay

The film and TV industry faces tighter deadlines than ever before. Modern productions juggle intense time pressures, increasingly complex creative demands, and strict budget constraints. When you're on a high-budget set, where every minute matters, even minor delays can ripple into serious production costs.


Traditional prop and costume fabrication methods create significant bottlenecks in production schedules. Hand-sculpting, molding, and casting can take weeks or even months to complete. In contrast, 3D printing allows productions to fabricate complex physical props quickly and affordably, reducing both lead time and production stress. If a director wants design changes or a prop breaks during filming, the entire schedule grinds to a halt while replacements are made.


This is where the 3D printing industry continues to prove itself as a game-changing solution for modern filmmaking. By transforming digital designs into physical objects in hours rather than weeks, it's revolutionizing how quickly productions move from concept to camera. Whether you're creating superhero costumes for Marvel or unique creatures for indie films, understanding how 3D printing is used in entertainment productions offers key insight into why the technology delivers unprecedented speed without sacrificing quality or detail.


For many high-pressure projects, 3D printing isn’t just faster—it’s the only viable solution. From printing full-body forms for SFX shops to creating functional, camera-ready props in days instead of weeks, our advanced capabilities make the impossible possible.

Why Physical Props Still Matter in a Digital World


A detailed medieval-style helmet resting on a workbench, with a computer monitor behind showing its 3D digital model, set in a warmly lit film studio with cameras and lighting gear in the background.

You might wonder why physical props and costumes remain essential in an age of CGI and digital effects. The answer is simple: tangible objects ground both the story and performances in reality. When actors can physically interact with props and wear actual costumes, their performances gain authenticity that's difficult to achieve with green screens alone.


The physical elements of filmmaking — especially in costume design and prop work — create a sense of immersion for both actors and audiences. A well-crafted prop that actors can hold, manipulate, and respond to naturally enhances their performance. Similarly, costumes that fit properly and move realistically help actors embody their characters more fully.


Delays in delivering these physical assets directly impact shooting schedules. If a key prop isn't ready, entire scenes might need rescheduling, causing a domino effect of delays and budget overruns. This is particularly problematic for productions shooting on location with limited availability.


Interestingly, practical effects are often faster and more controllable than CGI in many situations. While computer graphics require extensive post-production time, a well-designed physical prop is immediately camera-ready. That’s why directors like Christopher Nolan and Guillermo del Toro continue to champion practical effects — they often deliver unmatched realism on camera and, in the right context, can even streamline production by reducing post work.


3D printing bridges these worlds perfectly, providing physical objects with digital precision and unprecedented speed.


How Film Studios Use 3D Printing for Fast Prop Creation

Beyond general statements about speed improvements, several productions have documented specific timeline reductions achieved through 3D printing. These concrete metrics illustrate just how dramatically production schedules can be compressed with this technology.


How Top Films Leveraged 3D Printing to Save Time

  • As seen in the video below, designer Julia Koerner describes how her collaboration with Ruth E. Carter brought 3D printing into the heart of Black Panther's costume workflow — delivering precision, speed, and innovation in equal measure.



  • In the stop-motion film Missing Link, LAIKA Studios produced over 106,000 unique facial expressions using an industrial 3D printing pipeline. Completing this task in approximately 15 months, the team was able to maintain artistic precision and character consistency across complex scenes — something that would have taken years to achieve through traditional sculpting methods.


  • For Jurassic World: Fallen Kingdom, 3D printing was leveraged in the prototyping of dinosaur heads and creature components. While exact time savings are not publicly documented, production designers have noted that 3D printing significantly accelerated the fabrication process compared to traditional sculpting and molding. This allowed for more iterative feedback and on-set readiness.


  • 3D printing has also been employed in science fiction productions like Westworld to streamline the creation of intricate props. While exact timeline comparisons are unavailable, its use likely contributed to faster production of futuristic set pieces, enabling the team to fabricate customized designs with improved detail and repeatability.


In high-pressure productions where set schedules and shooting environments leave little room for error, the flexibility of 3D printing has proven increasingly valuable. Whether designing props for harsh conditions, adapting to evolving storylines, or needing quick replacements during shoots, many film and TV teams now incorporate additive manufacturing into their workflows.


Rather than relying solely on conventional fabrication methods — which can take days or weeks — production crews can now prototype, print, and deploy components in a fraction of the time. From weapon props to camera mounts, the ability to generate physical assets on demand has made 3D printing an essential part of keeping fast-paced productions on schedule.


3D Printing's Benefits for Productions


Infographic with four icons: mask 3D printing, digital model editing, on-set part fabrication, and handheld scanning.

Rapid Prototyping: From Digital File to Physical Prop Overnight

One of the most significant advantages 3D printing brings to film and TV production is the ability to rapidly prototype designs. You can transform a digital file into a physical prop literally overnight, allowing for fast iterations without extensive manual rework.


Instead of spending days or weeks hand-sculpting a prop, designers can create a digital 3D model and have a physical version ready by morning. This capability is revolutionary for meeting tight production deadlines.


The on-set benefits are equally impressive. If a prop gets damaged during filming, a replacement can be printed and ready for the next day's shoot. This prevents costly production delays where entire crews and expensive equipment sit idle waiting for repairs.


Iterative Freedom Without Downtime

Perhaps the most liberating aspect of 3D printing for creative teams is the freedom to iterate designs without causing significant production delays. When a director or designer wants changes mid-shoot, the digital file can be adjusted and reprinted quickly, allowing filming to continue with minimal interruption.


This iterative capability encourages bold creative choices. Design teams can explore innovative ideas knowing that revisions won't derail the entire production schedule. In the production of Deadpool, the costume team utilized advanced digital techniques to perfect the titular character's mask. By conducting a 3D scan of Ryan Reynolds' head, they created a precise mold, upon which a clay model was sculpted. This model was then scanned and 3D printed, allowing for swift iterations and refinements. The final design included magnetic eyepieces. Read more about the process here.


The ability to make design changes on the fly represents a fundamental shift in production flexibility. Rather than being locked into a single design approach due to time constraints, 3D printing opens up possibilities for ongoing refinement throughout the production process.


Adapting to Script Changes and Last-Minute Creative Decisions

Script changes, directorial pivots, and last-minute creative decisions are common in fast-paced productions. 3D printing gives prop and set teams the flexibility to respond in real time — rapidly modeling and fabricating new elements without stalling the schedule. Whether it's a revised scene or an improvised line, digital workflows allow spontaneous ideas to be transformed into camera-ready assets overnight.


On-Demand Parts and Problem Solving During Shoots

Film and TV productions are famous for their unexpected challenges and last-minute requirements. 3D printing provides an invaluable capability for on-demand problem solving during active shoots.


When props break or new equipment needs arise, 3D printing offers immediate solutions. Production teams can quickly print replacement parts, custom mounts, or entirely new props as needed.


In Zero Dark Thirty, the production team used 3D printing to fabricate helicopter parts and restricted night-vision gear, including rotor components and goggles that couldn’t be sourced from the Department of Defense. This approach ensured continuity across explosive action scenes while filling critical gaps in prop availability.


Custom Jigs, Mounts, and Fixtures: Technical Solutions on Demand

The benefits of on-set 3D printing extend well beyond creative assets like props and costumes. Camera departments, lighting teams, and rigging crews increasingly turn to additive manufacturing to meet demanding production requirements. From custom brackets and mounting systems to bespoke light modifiers, 3D printing allows technicians to design and produce functional hardware in a matter of hours— adapting to problems traditional gear can’t solve on short notice.


As productions push the boundaries of set design and cinematography, technical departments increasingly rely on 3D printing to overcome spatial, rigging, and lighting constraints in real time. Whether it’s crafting mounts for tight camera angles or prototyping specialized gear attachments, digital fabrication delivers unmatched adaptability — allowing crews to meet unique technical needs without delays from off-the-shelf limitations or external fabrication timelines.


Scanning for Speed: Perfect Fit with No Reshoots

Another significant time-saving application comes from combining digital modeling with 3D printing. By using precise body measurements and sculpted digital templates, designers can produce costumes, props, and set pieces that align exactly with performers or existing equipment.


In Black Panther, Angela Bassett’s elaborate crown and mantle were 3D printed to achieve a highly accurate fit. Designed in collaboration between Ruth E. Carter and 3D artist Julia Koerner, these intricate pieces showcased what’s possible when digital fabrication is used to create wearable art that would have been extremely time-consuming to produce through traditional methods.


This digitally driven approach helps productions avoid both costly reshoots and time lost to refitting. When costume elements are precision-made the first time, scenes can be completed more efficiently — keeping filming on schedule and improving on-screen realism and performer comfort.


From Concept to Camera: The 3D Production Pipeline


Modern film production relies on a seamless digital-to-physical pipeline to deliver high-quality, camera-ready assets at record speed. 3D printing plays a pivotal role in transforming initial concept art into functional props through a standardized workflow that maximizes both creative flexibility and production efficiency.


Stage 1: Concept Art and Digital Modeling

The pipeline begins with concept artists working in 2D and 3D digital environments, using sculpting tools like ZBrush, Blender, or Maya. These tools help generate high-fidelity digital models with intricate surface detail, structural geometry, and visual accuracy. Approved designs move directly into 3D modeling without any interpretation loss — preserving creative intent and streamlining the digital workflow.


Stage 2: 3D Scanning and Data Capture

To ensure a perfect fit and design integrity, productions often begin by 3D scanning real-world performers or objects. This process generates precise digital templates that can be used to design costumes, props, and set pieces tailored to exact measurements. These scans become part of a circular production model — enabling continual iteration as designs evolve.


Stage 3: Fabrication via Additive Manufacturing

With digital models finalized, components are 3D printed using the appropriate technology:


  • SLA for ultra-detailed, smooth-finish props


  • SLS for strong, functional parts like costume armor


  • FDM for large-format or less detail-sensitive elements


Multiple identical units can be printed simultaneously, accelerating turnaround for continuity and reshoots.


Stage 4: Post-Processing and Assembly

Printed components undergo post-processing: sanding, priming, painting, and aging. Additional functionality—like LEDs, hinges, magnets, or rigging fixtures—is added to meet specific on-set requirements. This results in props that are both visually compelling and technically functional.


Stage 5: Virtual Review and Rapid Iteration

Design teams leverage visualization tools and digital twins to review and approve models virtually—often using AR/VR. Directors can explore multiple iterations in real time, annotate digital files, and accelerate creative sign-off. This digital review process prevents costly reprints and enables high-velocity iteration.


Stage 6: Digital Asset Preservation

Final 3D files are archived, forming a reusable prop library for future sequels, reshoots, or reboots. These archives also preserve design lineage, allowing studios to recreate or enhance assets with complete fidelity — even years later.


Rapid Prototyping & Iterative Design: How 3D Printing Speeds Up Production

In film and TV production, speed is nothing without flexibility. Rapid prototyping with 3D printing lets creators move fast and make changes on the fly. You’re not locked into one design path — if something doesn’t look right or a new idea comes up, it’s easy to revise. This makes 3D printing a natural fit for the unpredictable pace of movie sets.


Instead of sculpting by hand or waiting on third-party vendors, teams can generate high-fidelity mockups directly from digital designs. These props or parts can be printed overnight and tested the next morning — accelerating not just production timelines, but also creative approvals.


This freedom to iterate reduces risk and improves quality. By the time filming begins, production teams have tested multiple versions, optimized fit and function, and confirmed visual appeal on camera — all before committing to a final piece.


Key Benefits of Iterative Prototyping with 3D Printing:

  • Test multiple variations in hours, not weeks


  • Improve creative collaboration between departments using physical samples


  • Catch fit or design issues early before they cause delays or reshoots


  • Respond instantly to feedback from directors, actors, or producers


Why It Works in Modern Pipelines

Rapid prototyping aligns perfectly with digital production pipelines. Files move from concept artist to modeler to printer with minimal friction. Once a base design exists, making adjustments becomes simple— alter the CAD file, queue a reprint, and you’re ready to test again.


This process is especially powerful during:


  • Pre-production (costume testing, camera blockouts)


  • Reshoots (matching props exactly)


  • Live sets (last-minute design changes)


Speed, Cost, and Flexibility: 3D Printing vs. Traditional Methods


When comparing 3D printing to traditional fabrication methods for film and TV production, three factors stand out: speed, cost, and creative flexibility. Let's examine how these approaches differ across key aspects:

Aspect

Traditional Methods

3D Printing

Time to Create Prop

Days–weeks

Hours–days

Iteration Speed

Slow; costly resculpting/molding

Fast; modify CAD, reprint overnight

Cost for Custom Items

High (molds, multi-step labor)

Lower for one-offs and short runs

Design Complexity

Limited by manual skill

Easily handles intricate geometry

Repeatability

Inconsistent without remolds

High — every print is identical

Material Waste

High (subtractive/casting)

Minimal (additive layering only)

Production Time

Traditional prop-making often involves multiple time-consuming steps: sketching, sculpting, molding, casting, assembly, and finishing. Each stage requires drying or curing time, and the process is largely sequential.


3D printing compresses this timeline dramatically by generating the base object directly from the digital file. A complex piece that might take weeks to hand-craft can often be printed in a matter of hours. This speed advantage compounds when multiple iterations are needed.


Cost Efficiency

While professional-grade 3D printers represent a significant investment, they quickly prove cost-effective for productions creating numerous custom props. Traditional methods generate substantial material waste through subtractive processes (carving away material) or mold-making. They also require more skilled labor hours.


3D printing builds objects layer by layer, using only the material needed. For one-off props or limited runs (exactly what most productions need), this approach eliminates the need for expensive molds and reduces labor costs substantially. The savings multiply when designs need revision, as only the printing time and material are additional costs, not complete reworks.


Design Flexibility

Perhaps the most revolutionary aspect of 3D printing is the design freedom it offers. Traditional fabrication is constrained by what can be physically sculpted, molded, and assembled. Certain geometries are extremely difficult or impossible to create by hand.


3D printing removes these limitations, allowing for intricate internal structures, complex shapes, and details that would be impractical to produce traditionally. This capability opens new creative possibilities for prop and costume designers, enabling previously unachievable designs to be realized efficiently.


The digital nature of the design process also facilitates remote collaboration, allowing specialists worldwide to contribute to a project without physical prototypes being shipped back and forth. This global workflow further accelerates production timelines.


Case Studies: Famous Films That Saved Weeks with 3D Printing

Marvel Universe: Iron Man and Thor

The Marvel Cinematic Universe represents one of the most visible showcases of 3D printing's impact on production timelines. For the Iron Man films, Legacy Effects revolutionized costume creation by digitally scanning Robert Downey Jr. and printing perfectly fitted armor pieces.


Legacy Effects also integrated 3D printing for prototyping and parts of the Iron Man suits, allowing faster iterations when design changes were needed. While full suits weren’t printed, additive manufacturing helped accelerate the fabrication of key armor components .


In Thor: Ragnarok, Hela’s dramatic horned headdress was digitally modeled and 3D printed in modular parts using SLS nylon reinforced with carbon fiber. This method allowed the costume department to produce a lightweight yet visually striking piece that would have taken significantly longer to build using traditional sculpting and molding .


Why 3D Printing Works for Productions of All Sizes

3D printing isn't just for big-budget blockbusters — it offers significant advantages for productions of all scales, from major studios to independent filmmakers. The technology scales effectively across production budgets, with different stakeholders benefiting in unique ways:


  • 3D Modeling Technicians can work remotely, creating high-fidelity assets from anywhere in the world


  • Production Designers gain unprecedented customization options within budget constraints


  • Art Department Leads leverage prop libraries and asset archives for consistent visual language


  • Directors enjoy faster visualization of concepts and rapid prototype approval


  • On-Set Fabrication Specialists solve technical problems in real-time, preventing costly delays


  • Visual Effects Supervisors maintain perfect alignment between physical and digital elements


For large studios, in-house 3D printing capabilities provide unmatched control and efficiency. Having printers on-site allows them to respond instantly to creative direction changes or on-set emergencies. The digital workflow integrates smoothly with existing visual effects pipelines, creating a seamless transition between digital design and physical props.


Independent filmmakers benefit perhaps even more significantly from 3D printing's democratizing effect. Small productions with limited resources can now create professional-quality props and costume elements that previously would have required prohibitively expensive specialty fabrication. A single multi-purpose 3D printer can replace numerous specialized tools and craftspeople, making ambitious indie visions more achievable.


The elimination of expensive molds and reduced material waste makes custom props financially accessible for projects with tight budgets. Indie filmmakers can achieve a level of production value that helps their work compete with higher-budget productions, at least in terms of visual quality.


Digital file sharing enables remote collaboration regardless of production size. Designers anywhere in the world can contribute to a project, with their creations printed locally near the shooting location. This distributed approach reduces shipping time and costs while expanding access to global talent.


For small productions juggling multiple roles, the time efficiency of 3D printing is particularly valuable. When your director might also be your producer, editor, and prop master, the ability to set a design printing overnight while focusing on other tasks can make ambitious shooting schedules possible with limited crew.


Real-World Projects

How There You Have It 3D Delivers When Time is Tight

When Netflix needed a working ‘Saymo’ robot prop in just 4 days, There You Have It 3D stepped up. We transformed a motorized RC chassis into a fully functional robot shell, complete with wheels and intricate details—something other shops might have needed weeks to build using MDF or vacuum-formed plastic. Our ability to rapidly design, prototype, and print custom components gave the production team the speed and flexibility they needed to pull off the gag on schedule.


Challenge:Netflix needed a fully functional ‘Saymo’ robot prop for John Mulaney’s stand-up special Everybody’s Live—with only 4 days to deliver.


Solution:We designed, engineered, and 3D printed the entire exterior shell and wheels in just 72 hours, adapting the design to a motorized RC chassis.


Outcome:Saymo took the stage on time—delivering laughs, performing stunts, and looking flawless under stage lights. See the final moment in action here.


What Made It Possible:

  • Rapid digital prototyping and design


  • Large-format SLA 3D printing for intricate details


  • On-the-fly iteration and precision fabrication


This project demonstrates how 3D printing enables the kind of speed, flexibility, and design freedom that traditional methods simply can’t match—especially when timelines are measured in hours, not weeks.


Valorant Weapon Replicas for Riot Games

Challenge: Riot Games needed nine full-scale, 1:1 replica weapons from their hit game Valorant—designed, engineered, fabricated, painted, and delivered in under four weeks. Traditional fabrication methods, like sculpting and casting, would have required 7-10 days per weapon, making this timeline nearly impossible.


Solution: By leveraging 3D printing, we broke down each complex weapon design into modular parts optimized for fast printing and seamless assembly. Our team rapidly engineered the files for durability and aesthetics, ensuring they could withstand on-set handling while meeting camera-ready standards.


Outcome: We delivered nine finished props in just 26 days, a feat that would have taken other shops months. 3D printing’s speed and precision made this project possible—transforming intricate digital assets into functional, photorealistic props within a tight deadline.


🎮 See the finished weapons in action here: Instagram: Riot Games Valorant Weapons Showcase

Why Studios Trust There You Have It 3D

In Hollywood, time is money — and details matter. That’s why studios, art departments, and independent filmmakers alike trust There You Have It 3D, a union-affiliated shop based in Burbank, CA, specializing in fast-turnaround, high-fidelity 3D printing for the entertainment industry.


With years of hands-on experience and a reputation for precision, our team delivers props, costumes, and prototypes that perform flawlessly under pressure — and under camera.

Here’s what our clients have to say:

“Amazing attention to detail and lightning-fast turnaround. Can’t imagine going back to traditional prop-making.”— Film Industry Client via Yelp
“A hidden gem for artists and entertainment pros who need top-quality work, fast.”— Yelp Reviewer

When productions need fast-turnaround, high-fidelity props and prototypes — whether for Netflix, Riot Games, or Supergoop — they call There You Have It 3D. Our speed, precision, and design flexibility have helped projects stay on schedule and exceed creative expectations.


Key Takeaways

  • Ultra-fast Turnaround: 3D printing reduces prop and costume fabrication from weeks to hours, minimizing costly production downtime


  • Design Freedom: Make complex designs impossible with traditional manufacturing methods


  • Cost Efficiency: Less material waste and labor for one-off and small-batch items


  • On-Set Problem Solving: Broken props can be reprinted overnight, minimizing expensive delays


  • Perfect Fit: 3D scans ensure custom-fitted props and costumes for actors


  • Seamless Iteration: Adjust digital designs and reprint components without starting from scratch, streamlining the entire production pipeline


  • Case-Proven: Used in blockbusters (Marvel, Star Wars) and indies alike


  • Future Growth: Expanding into smart props, AI design, and on-set fabrication hubs


Speed Up Your Production Schedule — Contact Us for a Consultation

There You Have It 3D brings hands-on experience delivering high-fidelity fabrication and 3D printing services to Hollywood's entertainment industry. As a Union-affiliated shop trusted by major studios, our team delivers high-fidelity, camera-ready fabrication on tight timelines — without compromising on detail.


From movie props and architectural models to functional prototypes and museum-quality art prints, we tailor every solution to your production needs. Using professional 3D printing systems like SLA, MJF, SLS, and PolyJet, we help you iterate faster, shoot sooner, and keep your crew moving.


What You Get:

  • Same-day and overnight printing options


  • Direct collaboration with experienced technicians


  • Scanning, modeling, and post-processing in-house


  • Union-compliant standards and NDAs for confidential projects


Let’s talk about your timeline. Contact us now for a free consultation and see how fast we can turn your ideas into production-ready assets.


Frequently Asked Questions


By: There You Have It 3D Production TeamSpecialists in Rapid Prototyping & Entertainment Fabrication


About the Author:The team at There You Have It 3D brings hands-on experience delivering high-fidelity fabrication and 3D printing services to Hollywood's entertainment industry. As a Union-affiliated shop, their work spans everything from movie props and architectural models to museum-quality art prints and functional prototypes. Leveraging industrial-grade equipment like SLA, MJF, SLS, and PolyJet systems, they provide custom solutions for high-speed, camera-ready fabrication.

 
 
 

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